Over at Lisa-Jo Baker's blog, each Friday, she challenges writers to write for five whole minutes without stopping, without editing. Join us. This week's prompt: Rhythm.
I have been practicing Nichiren Buddhism since 2004 and up until this year, I used the SGI liturgy. Earlier this year, I started practicing in the style of Nichiren Shu. The liturgy is very similar, the chant remains the same, but with a few differences.
In order to make things more rhythmic, the SGI altered some of the liturgy and shortened a few of the Japanese words. In Nichiren Shu, that is not the case.
And, as one would expect, it completely changes the rhythm of the Practice of Odaimoku.
With SGI, the words seem to run together: Myohorengekyohobenpondaini-nijisesonjusanmaianjoniki....
With Nichiren Shu, there is more space: Myoho-renge-kyo-hoben-pon-dai-ni...
Also with chanting Namu-myo-ho-renge-kyo. In SGI the rhythm is faster: nam-myohorengekyo, but but adding the "u" at the end to nam - Namu - the rhythm slows: namu-myo-ho-renge-kyo.
The result is, for me, a more mindful practice. It goes a little slower, but there is time in those spaces to truly take in what I am chanting, what it means and how it flows. Instead of racing through the chanting of the chapters, I am more contemplative. Instead of simply repeating nam-myohorengekyo over and over, I am aware of the power of the chant.
Altering the rhythm of my practice has altered my practice of Nichiren Buddhism, and ultimately, this alteration will be found in the rhythm of my own life.